198 GB
99 GB per shoot day.
Estimate how much storage a video shoot needs from camera, codec, resolution, frame rate, bitrate, bit depth, chroma, duration, shoot days, and backup copies.
Outputs
6
Card sizes
4
Mode
Custom
Custom camera planning estimate at 4K, 60 fps, H.265 / HEVC and 220 Mbps.
198 GB
99 GB per shoot day.
128 GB
V60 class media recommended.
1.0 TB
Includes practical headroom for editing.
594 GB
2 backup copies plus originals.
Link these to verified memory cards, CFexpress media, card readers, portable SSDs, and backup drives as the catalogue fills in.
Best fit for high-bitrate mirrorless codecs that do not require CFexpress.
Find optionsBest fit for RAW, All-I, and high-frame-rate 6K or 8K capture.
Find optionsUseful as an on-set offload drive and travel edit drive.
Find optionsUse for archive and duplicate backup after the shoot.
Find optionsResearch camera bodies, recording formats, card slots, overheating risk, and creator workflows.
OpenTurn your storage estimate into a full batteries, cards, audio, lighting, and backup checklist.
OpenBrowse cards, storage drives, readers, monitors, and video accessories as the catalogue expands.
OpenStorage gear examples
The calculator is built to connect bitrate decisions directly to memory cards, CFexpress media, portable SSDs, readers, backup drives, and camera product pages.
The cult compact, now with IBIS and 40MP
61MP resolution monster with AI AF
The no-compromise stacked flagship
8K hybrid flagship with eye-control AF
The mini-Z9 that stole the show
Nikon's integrated-grip flagship
Video storage FAQ
Bitrate, codec, frame rate, and backup strategy can change a shoot budget fast. Use the calculator as a planning tool before choosing cards and drives.
Bitrate in megabits per second is multiplied by recording seconds, then divided by 8 to convert bits to bytes. GearAtlas then adds shoot days and backup copies.
The important number is sustained write speed. High-bitrate All-I, RAW, 6K, and 8K formats may require V90 SD, CFexpress, or external SSD recording.
Not always. H.265 is efficient but can be harder to edit. ProRes and All-I files are larger but often smoother in post-production.
For paid work, plan at least two backup copies in addition to original media. Critical shoots often use a 3-2-1 backup strategy.
They are planning presets for common recording modes. Always confirm the exact bitrate and media requirements in the camera manual before a paid shoot.
GearAtlas connects each tool into comparison, product discovery, account saves, wishlists, kit planning, and tailored recommendations.
Calculate slow-motion percentages, playback speed, shutter angle, flicker warnings, and timeline settings.
Open toolTurn a shoot type, location, lighting, duration, weather, and deliverable into a packing checklist.
Open toolGenerate budget, balanced, pro, and lightweight camera or creator kits by use case, brand, and skill level.
Open toolSave results to your gear locker, wishlist, kits, price alerts, and advisor history.